End Of Year List/Jazzword

On UK’s Musique Machine RUBICON QUARTET’s ‘Crosscurrents’ album made their top 30 list of best albums of 2020 while ALAN WILKINSON & ANDREW CHEETHAM’s ‘The Vortex Of Past Time’ receives a beautiful review by the great Ken Waxman at Jazzword (Canada).

“Unabashed Free Jazz with wailing saxophone split tones and authoritative percussion punches has been part of the vocabulary since the mid-1960s and is now an accepted form like. Bebop, Fusion or Dixieland. Yet the emotional mojo needed to create exceptional sounds aren’t reached by all sessions. However this British duo raises the ante. Veteran reeds player Alan Wilkinson is known for his discs with Simon H. Fell and Paul Hession, while three-decades-younger percussionist Andrew Cheetham has worked with David Birchall.
From the very beginning of “Axial Velocity “ stentorian slurps are sourced from below his baritone saxophone’s s-curve by Wilkinson, spilling out a cornucopia of split tones as Cheetham’s cymbal clashes and pressurized patterning add to the exposition’s intensity. Until the end of the session after that, the saxophonist moves back and forth among circular-breathed repetitions, vocalized shouts, extended glossolalia and altissimo projections, Making a virtue of minimalism, Cheetham’s strategy includes bell ringing, steel-drum-like echoes metallic rim shots and accented press rolls. While much of the sounds move in this vigorous fashion, a patina of melody exists beneath the surface. It’s expressed most succinctly on the concluding “Outer Radius”, which ends with accelerating bugle-like rasps following a sequence of high-pitched squeals vibrating from inside the bass clarinet’s body tube are met by subtle cymbal slaps and drum-top clip clops. Otherwise full-throttle expression is paramount, with reeds lowing slurs or squawking snorts, ripping apart the narrative or briefly sinking to barely-there smears. With drum rumbles as deep and echoing as Wilkinson’s solos are, jagged excess is kept in check and making the overall performance compelling.”

Last Day

If you want to take advantage of that beautiful vinyl bundle for both forthcoming LP releases, don’t hesitate as today is your last chance. Only 40 EUR + shipping for these two slabs of 140 grams virgin vinyl, limited on 100 copies ! Order here or on bandcamp.

Air

UK’s Progress Report wrote a nice short review on Dirk Serries’ collaboration with his longtime comrade Asmus Tietchens, released on our label in 2019. Still available from our shop.

ASMUS TIETCHENS & DIRK SERRIES – AIR (CD, nwoj0026)
“Six compositions by these prolific pioneers of electroacoustic and contemporary avant-electronic music who both first cut their teeth on the post-industrial DIY circuit of the 1980s. Each of these pieces is formed around one particular instrument being the centrepoint, ranging from a clarinet to an accordion or even a harmonica, played by Serries and subjected to Tietchens’ broadly subtle yet persuasive treatments. The results amount to an impressive array of minimalist snatches, microscopic gestures and wheezing or whispery tones and timbres at least accorded accessibility through some melodic swells peppered amongst the ambience. It could be contended these pieces owe more to Serries’ work as Vidna Obmana even, but Tietchens’ stamp, particularly from more recent work of his, is all over them. “Air” might seem a somewhat understated listen for the most part, with its meshing of hazy shuffles and soft bellows, but it is one that commands attention. A great addition to the ambient music canon.” Progress Report – UK

A New Year

Here’s to hopefully a better, brighter and safer 2021. Thank you all for supporting this little strange label. Immense appreciation to Rutger Zuydervelt and Guy Peters for their unconditional and gracious contributions and to all our affliated artists to believe equally in our passion and to share this unique genre of music. The story continues.

2021

While we remain under the spell of this terrible pandemic, we’re trying to look towards the future with new creativity, trying to find ways to share our passion. We know it’s not the same than actually being present in the heat of an improvised concert but let us hope that this exclusive digital event, made with funding of the Flemish government, will help you and us to burn through this isolation. Here’s the teaser.