Reviews of COLIN WEBSTER’s outstanding new solo album are slowly arriving, here’s a really fine one on VITAL WEEKLY. Order here.

“There are exceptions, but the saxophone isn’t my favourite instrument. Often, it becomes a nerve-wracking jazz wail, and that’s not for me. As said, there are exceptions. An early one is the split cassette by Eyeless In Gaza and Lol Coxhill; I like Borbetomagus. This new album by Colin Webster is another one that I enjoy. He plays the alto saxophone in the chapel of the Oude Klooster in Brecht, Belgium, with a wooden ceiling, and Dirk Serries captured the sound using various microphones. The title of the album is program here, studies in textures. There are twelve short pieces of saxophone music, each on a more sustaining note, but not exclusively. Webster offers a texture rather than a drone rather than a succession of quick notes. A texture aiming not always to please, as Webster uses considerable force here. That’s another thing I like about this record; there is some pretty
intense noise music here, a brutalist approach, and that’s something I enjoy. And, of course, acoustic noise is not something you hear every day. Webster combines this acoustic noise with an unmistakable minimal touch. Many pieces are about circular breathing, repeating phrases all the time. Here, this album shines most for someone who is only mildly interested in improvised music but whose heart goes to minimal music. The recording is crisp and clear; those saxophone sounds bouncing around in this hall add weight to the recording. It might not be your typical improvised music record, which is, perhaps, a disappointment for some, but for me, a delight. A particularly strong record.”